Parisian
Repair tech and saxophone dealer Kim Slava, AKA Doctor Sax, had the following to say, about the Pierret-stencilled Parisian model saxophones:
This sax was manufactured by Pierret after their flagship model “Competition” of the early 1950s.
As far as one can tell only the keyguard feet differ from the Competition, besides the (improved!) left hand pinkie cluster. [Pinkie cluster from Artiste Competition.]
This solidly built model, with very good intonation and power throughout, attracted the attention of Santy Runyon who had Pierret stencil a few hundred altos and tenors with his name.
As you can see the major differences between the Santy Runyon horn and the Parisian lie only in the LH pinkie plateau and the fact the bell keys on the opposite side of the horn. Until recently, these horns have been mistaken — probably due to their solidity and tone qualities — with SMLs, another famous French manufacturer who stenciled for several brands including King.
This particular Parisian tenor [219XX below] appears to belong to an early lot marketed by Olds, whereas its sequel, the Parisian Ambassador was somewhat simplified, (e.g. lighter gauge brass was used for the body, posts instead of strong brackets in places, plastic buttons instead of mother of pearl) with the exception of the engraving which became more elaborate.
Compared to the later ‘Ambassador’ horns, this earlier ‘Parisian’ is a sturdier, professional model
Source: doctorsax.biz
F.E. Olds & Sons Parisian Alto
Serial #: 259XX
Finish: Lacquer with nickel plated keys
Source: eBay.com
F.E. Olds & Sons Parisian Tenor
Serial #: 219XX
Finish: Lacquer with nickel plated keys
